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Written 3 years ago
Temple of Terror was Ian's second Yaztromo book, like Forest of Doom, it involves Gillibran and the Stonebridge dwarves. The new would-be tyrant threatening the land is Malbordus, a wizard raised by Dark Elves and frankly, though his backstory is OK, his part in your adventure is a mere cameo. Zagor the Warlock, Balthus Dire, Zanbar Bone, The Snow Witch and even The Lizard King got more chance to impress. So there's another villain, Leesha the High Priestess, who has partnered with Malbordus, you find all this out on the run. In fact the Arabian styled "Temple of Terror" is just some random building you enter in the lost city of Vatos. It turns out that this dark priestess has started up her temple in this abandoned desert city, so you spend half the adventure infiltrating her temple like Firetop Mountain, Citadel of Chaos or the Crystal Caverns, my point being "Temple of the Dark Priestess" could be an alternative name seeing as Malbordus is just a "guest" at the temple. The "Messenger of Death" who toys with you through the whole temple makes things a little more exciting and I think he could have been replaced by Malbordus himself.
When you leave Yaztromo's tower at the start, you're given two possible routes to the Desert of Skulls, one by land, the other by river/sea, but you'll find later that one of these routes is the wrong choice as you'll miss an essential find. In other adventures like Sword of the Samurai, you have two main routes to your goal, but each one is valid, missing one important find can be made up for with another. So I didn't like how in Temple of Terror all the excitement of one route is invalidated, because you shouldn't have even taken that route. But overall I liked the journey to the Desert of Skulls and through the desert to Vatos. The temple itself is OK, obviously you have to be careful not to miss any of the dragon artifacts, you need all five of them. One is quite a bit harder to obtain than the others. Leesha is nothing special, but you at least get a sense of her authority before meeting her. There's an illustration of her being fanned by her servant, Cleopatra-like. Some of Bill Houston's illustrations are noticeably inferior to the work of other Fighting Fantasy illustrators, though some, like the giant sandworm, are very good.